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Archive for the ‘Stunts’ Category

Special Skills Extra Work

2009-11-04Where in the world am I today?: North Vancouver, BC, Canada

When I first moved out to Vancouver from the Ottawa area back in the Fall of 1990 one of the motivating factors for the move was because I wanted to peruse work in the Film and Television Industry. Based on my years of performing and videos that I had together even back in that day I managed to get representation from a local Agent who sent me out to casting calls for commercials and other bits and pieces that they felt I was appropriate for. I also tapped into the world of working as an extra on film sets, and in particular as a ‘special skills extra.’

Now be forewarned that working as an extra on a film set usually involved hours and hours of sitting around until you’re actually needed in a shot, but people who do this sort of work on a regular basis typically bring along a book and/or some work that they need to get done or spend time texting people or networking. You don’t actually get paid all that much per hour as an extra, but then again you don’t actually do all that much either, so it’s pretty decent money for just sitting around reading a book. I’ve had days were I’d go into set, wait in the extra’s holding area and then not be needed for the shots that were being done that day. It’s usually a six hour minimum call meaning that you’ll get paid for at least six hours even if you’re only needed for two or three hours, and if you’re on a shoot where they hold you past a certain number of hours, your pay scale goes into an overtime scenario and you get even more money per hour…

Now… If you’ve got a specific skill that they want to have in a particular shot, you know how to juggle or walk on stilts or can ride a unicycle or can do a back flip or some such well then the pay scale jumps again because you’re given the designation ‘Special Skills Extra.’ I’ve had friends who are acrobats who’ve done special skills work and then progressed on to doing stunt work which pays even more… Again, the hours are long, the amount of money per hour isn’t spectacular, but it adds up quickly especially if you’re in one of these ‘specialized’ skill groups, so it’s well worth putting your name into the ring and letting casting directors know that you have these skills.

This is perhaps a fairly regionally specific sort of market. There’s a ton of Film an TV work that gets done in Vancouver, but films are being shot all over the place, so if you hear of a film being shot in your area, there may be a way to find out who the talent wrangler is and make sure they know who you are.

In Vancouver there are even agents like ‘Reel Athletes‘ who specialize in the placement of actors, athletes and special skills performers for this industry. As with any gig, if you land the job once and you show up on time, are well liked, and do a good job other opportunities will spring up which will lead to others and still more beyond that. Like Ethel Merman sang in ‘Annie Get your Gun‘ – There’s no Business like Show Business like no Business I know.

Messing around with my comfort zone.

2009-07-231Where in the world am I today?: Red Deer, AB, Canada

So I’m debuting a new show at this year’s Pacific National Exhibition. The idea for the show which I’ve dubbed “The Hot Dog Show” started to germinate in my head five years ago while I was performing at the Windsor International Busker’s Festival. I started telling a story about my boys which culminated in the audience joining me in making a hand gesture to represent a “Hot Dog Bun.”

I was bizarrely fascinated by how this story struck a chord with the audience and so started the journey to build a partner show teaming my experience as a street performer with the spectacular dare devil stunts of William T. Wiener, the most Fearless Flying Frankfurter the world has ever seen. There will be thrills, there will be spills there will be comedy, improvised theatrics, and lots of audience participation.

There will not, however, be any juggling in this show.

I’ve taken departures away from the comfort of working with the familiar juggling props that I’ve used for years before, but I find myself scratching my head a bit as this particular idea seems like the biggest departure I’ve taken to date and I’m hoping the audience will enjoy the show as much as I think I’m going to.

I sold the idea of debuting this show at the PNE to the creative director months ago and shortly there after started assembling costume pieces and props to pull the idea together. It’s been a wonderful adventure as I’ve watch some ideas evolve, other ideas get scrapped and ideas I never considered pop up unexpectedly.

Not since I played my ukulele for the first time at the Vancouver Ukulele Circle have I been this nervous and excited about my performance and I’m loving it. Taking a step or two or three outside of my regular comfort zone is making me re-examine why I like performing and approach things with refreshed interest which is really amazing.

I’m well aware that it’ll be a bumpy ride at the beginning of the run as bits and pieces fall into place and the show really starts finding it’s feet in front of a live audience, but the sign that I’m on to something (at least for me) is that everyone I show bits to looks at the props and stunts with the same child-like-wonder that makes me giggle like a kid every time I picture putting them in front of a crowd. This is going to be scary and it’s going to be a whole heck of a lot of fun!

Alright every one… Put your hands up above your head and pretend it’s a roller coaster… Weeeeeeeeeeeeeeeeeeeeee!

There’s a reason to pre-test things…

2009-05-14Where in the world am I today?: Aboard the Serenade of the Seas cruising the Inside Passage.

OK… In the foreground of the picture… A prototype rocket I’m looking at using in a show I’m building. In the background a large pine tree that towers something like a hundred plus feet in the air… Inadvertently put the two together – possible Darwin Awards here I come!

Right off the bat I must admit that this isn’t he first time that I’ve used a rocket like this. Back in 2002 I teamed up with John Ullyatt and Iori Mikumo to for a group we called The Executives. In that show we launched the rocket and had it pull underwear out of our pants… Oh yeah… Totally highbrow humor…

This time around the rocket is being used to demonstrate the super strength of my new show partner – William T. Wiener, The Worlds Most Fearless Flying Frankfurter who will attempt to hold back lift off of the rocket with just his super strength and his teeth

Now with The Executives Show I think we actually used 1.5 litre bottles from Japan for the body of the rocket. I have since used 2 litre bottles for these rockets in a more recreational setting, but for this show I wanted to try and used 1 litre bottles for the rocket’s construction. Step one – buy 5 one litre bottles and drink the contents… Step two build the rocket… Step three test the rocket…

It all seemed so easy… Steps one and two came off with out a hitch, but it was when I got to step three that I really didn’t quite think things through…

I should probably also mention at this point that Willie the Wiener is a stuffed dog toy with a squeaker in it… I’m still questioning the sanity of the decision to make him my partner, but that’s a completely different story…

Rocket’s Built… Lets test things out. Now in the context of the show I envision strapping Willie into his Super Hero Restraining Station. Some sort of chair like device with lots of seat belts… For the purposes of the test launch… A string tied to a loop in his fabric – Done!

Haven’t built a mouth for him to hold a ring attached to the string that’ll be attached to the rocket in yet… Hmmmm… No problem… This safety pin should do the trick – right?!? Done.

Rocket? Check! • Hot Dog? Check! • Restraining Device? Check! Every thing is ready to go (or so I thought). Fill the rocket with water, attached it to the launch pad, pump it up with air – All is good. Recheck to make sure things are secure – Good!

And launch…

OK… I have to admit that it came as a bit of a surprise that Willie wasn’t able to actually prevent the rocket from lifting off… Not that it was his fault though… The weak link in the mock up test launch was the safety pin instead of the mouth ring as it really didn’t take all that much force to pull the safety pin open and allow the rocket to go flying. That safe safety pin attached to the string attached to the rocket also acted as a nice grappling hook so as the rocket hit the tree in the back yard around 80 feet off the ground and started to make it’s way down the pin quite happily hooked onto a branch preventing the rocket from falling down the rest of the way to the ground… DOH!

So there I am looking at the launch pad, making sure that my partner Willie is OK.Then turning my head and seeing the rocket dangling about 70 feet off the ground in the pine tree in the back and all I can think of is –

“Hey… I can just climb up the tree and get the rocket back.”

First step – Get a ladder that’ll reach up to the lower branches – done.

Second step – Repeat over and over in my head the following statement –

“I was an idiot to launch the rocket into the tree in the first place I’ll be an even bigger idiot of I fall out of the tree trying to get the rocket back!”

Step Three – Realize that this mantra I’ve repeated over and over again as I climb the tree, retrieve the rocket and make my way back down the tree has actually had the effect of tensing up my muscles WAY WAY more than had I simply climbed up, grabbed it and climbed back down… That or I’m just getting old, but I like the former explanation better.

Step Four – take the rest of the day off and feel my leg muscles just throbbing!!!

Several important lessons were learned by this test launch and I’m pleased to report that subsequent launches have been far more successful than the very first one that had the rocket end up in the tree…

I highly recommend pushing yourself with new artistic challenges as they often shed light on all sorts of unseen possibilities and opportunities for artistic growth. I anticipate as I get closer to the debut of the Willie the Wiener Show at this year’s PNE I may have some other stories to tell of lessons learned. For the time being though know this –

A safety pin isn’t really strong enough to hold back the lift off of a pop bottle water rocket.

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